Dispossession, a site specific installation at the Bellevue Art Museum, Bellevue, WA.
“Dispossession” draws inspiration from objects found and/or taken at the US-Mexico border crossing, as well as from the region’s tradition of creating roadside shrines for the dead and missing.
Photo: Alec Miller photography
Dispossession (detail), a site specific installation at the Bellevue Art Museum, Bellevue, WA.
“Dispossession” draws inspiration from objects found and/or taken at the US-Mexico border crossing, as well as from the region’s tradition of creating roadside shrines for the dead and missing.
Photo: Alec Miller photography
Breakdown, site-specific installation, de Young Museum, San Francisco, CA, 2017
This installation was an evolving work in progress combining video with prints on glass, steel, and paper as well as diagnostic and organizational tools such as light boxes and display cases.
Breakdown, site-specific installation, de Young Museum, San Francisco, CA, 2017
This installation was an evolving work in progress combining video with prints on glass, steel, and paper as well as diagnostic and organizational tools such as light boxes and display cases.
Create the condition you describe, neon, steel, site-specific installation,
de Young Museum, San Francisco, CA, 2017
Create the condition you describe, neon, steel, site-specific installation,
de Young Museum, San Francisco, CA, 2017
“Free Print” Exchange, de Young Museum, San Francisco, CA, 2017
For this portion of the project, I invited visitors to take a print, make a print, or leave a print- however they chose to participate. For those who wanted to participate, I then showed them the screenprint process and had them create a print. This collaboration was part of a “free” print store inspired by the San Francisco group the Diggers and their various free stores which worked on a barter or gift economy. Altogether I had 2,473 visitors and collaborated/gave away ~2,700 prints
Groundwork, 2014, A reflection on history, labor, industry, boundaries and growth on the grounds of the Pullman State Historic Site.
Groundwork, 2014, Cast aluminum installed in the Pullman factory, Chicago.
Resonance, 2011, Kilnformed and engraved glass, 10.25 x 20.75 x 2 inches
Residual, 2011, Handmade paper, each 8 x 10 inches
Facade Project, 2004-2014, Site specific installation, laser printed photos, photo by Lia Conklin
Community Iron Pour at Pullman Factory, Chicago, Illinois, 2014
Transient, 2009, etching and aquatint, 24 x 35 inches
Wake, 2006, Laser printed photos, tape, string
Metaphysics, 2011, Light boxes, kiln cast glass, graphite, wood, site specific installation at Bullseye Gallery, Portland OR
Metaphysics, 2011, Kiln cast glass, wood, graphite
Correspondence, 2011, Library cards, graphite, string, wood, site specific installation at Bullseye Gallery, Portland OR
Errata, 2011, Plexiglass, adhesive letters, each 36 x 36 inches
Evidence I, 2008, Lithograph, 11 x 30 inches
Dispossession, a site specific installation at the Bellevue Art Museum, Bellevue, WA. “Dispossession” draws inspiration from objects found and/or taken at the US-Mexico border crossing, as well as from the region’s tradition of creating roadside shrines for the dead and missing. Photo: Alec Miller photography
Dispossession (detail), a site specific installation at the Bellevue Art Museum, Bellevue, WA. “Dispossession” draws inspiration from objects found and/or taken at the US-Mexico border crossing, as well as from the region’s tradition of creating roadside shrines for the dead and missing. Photo: Alec Miller photography
Breakdown, site-specific installation, de Young Museum, San Francisco, CA, 2017 This installation was an evolving work in progress combining video with prints on glass, steel, and paper as well as diagnostic and organizational tools such as light boxes and display cases.
Breakdown, site-specific installation, de Young Museum, San Francisco, CA, 2017 This installation was an evolving work in progress combining video with prints on glass, steel, and paper as well as diagnostic and organizational tools such as light boxes and display cases.
Create the condition you describe, neon, steel, site-specific installation, de Young Museum, San Francisco, CA, 2017
Create the condition you describe, neon, steel, site-specific installation, de Young Museum, San Francisco, CA, 2017
“Free Print” Exchange, de Young Museum, San Francisco, CA, 2017 For this portion of the project, I invited visitors to take a print, make a print, or leave a print- however they chose to participate. For those who wanted to participate, I then showed them the screenprint process and had them create a print. This collaboration was part of a “free” print store inspired by the San Francisco group the Diggers and their various free stores which worked on a barter or gift economy. Altogether I had 2,473 visitors and collaborated/gave away ~2,700 prints
Groundwork, 2014, A reflection on history, labor, industry, boundaries and growth on the grounds of the Pullman State Historic Site.
Groundwork, 2014, Cast aluminum installed in the Pullman factory, Chicago.
Resonance, 2011, Kilnformed and engraved glass, 10.25 x 20.75 x 2 inches
Residual, 2011, Handmade paper, each 8 x 10 inches
Facade Project, 2004-2014, Site specific installation, laser printed photos, photo by Lia Conklin
Community Iron Pour at Pullman Factory, Chicago, Illinois, 2014
Transient, 2009, etching and aquatint, 24 x 35 inches
Wake, 2006, Laser printed photos, tape, string
Metaphysics, 2011, Light boxes, kiln cast glass, graphite, wood, site specific installation at Bullseye Gallery, Portland OR
Metaphysics, 2011, Kiln cast glass, wood, graphite
Correspondence, 2011, Library cards, graphite, string, wood, site specific installation at Bullseye Gallery, Portland OR
Errata, 2011, Plexiglass, adhesive letters, each 36 x 36 inches
Evidence I, 2008, Lithograph, 11 x 30 inches